Art
Galleries? I love to browse. I like that feeling of "Oh,
Yea," as I walk out the door overflowing with a mind cascading
with color patterns. Brown, black, ochre, red. Yes! I CAN paint.
Excitement....expectation......joy....walking
on air...smiling.
8:45
a.m. It
was with happy expectation that I entered the gallery of MY university.
My eyes focused in on plastic bags hanging from an entire wall
of the gallery, bags filled with dark...brownish...reddish liquid...leaking
down the wall. My brain clicked through an array of explanations.
Was this a display of how to store your leftover morning coffee?
Or perhaps a statement of leaking garbage bags. The silence of
the gallery was noticeable. I was the only "viewer",
the only "admirer", the only "patron of the arts."
I turned to the only possible source of information, the "lonely
person." A woman who had no other purpose in life but to
follow me around and make sure I did not destroy such a work of
art. "Excuse me," I said, "What is that?"
My hand waved to encompass the expanse of the whole wall.
"Those
are bags of blood," she said as if everyone left bags of
blood hanging from their walls.
"Blood?" I cringed.
It was then that I noticed a sculpture on the far wall. It was
a sculpture of Christ nailed to the cross.....and nailed...and
nailed...and nailed. He was full of nails. A button underneath
bore a sign that said, "Push me." I did. Christ writhed
on the wall in agony.
A little cloud of doom and gloom encircled my head. I headed for
the exit. The little cloud followed.
9:00
a.m. I was late for my painting
class. The instructor stopped to critique my work. I swallowed
hard and assured myself I could take criticism. I was excited.
"Look at the colors," I glowed. "I learned all
this in color theory class." She was appalled. "Color
theory! It will ruin you. You must not study color, it must come
from within here." She patted her abdomen. "Drop that
class before it destroys what is inside of you." The only
thing inside of me was an Egg MacMuffin and a Pepsi. I thought
of how women of Parisian society had swooned and fainted at the
sight of Impressionist paintings so full of light and color. I
thought of Matisse and the Fauves....or wild beasts as they had
been labeled...outcast for their colorful paintings.
Having dismissed my painting, with a wave of her hand, as being
an "undesirable," my instructor praised the student
beside me for his breakthrough in art. I walked over to see the
glorious work. It had to be good, my instructor said it was. On
the canvas was a doll...it's head had been chopped off...it's
limbs lay ripped to pieces...an eyeball hung down distended from
a spiraling cord. The color red was splashed everywhere. A saw
with jagged teeth lay nearby. There was a figure on the canvas...a
realistic likeness of a man.
"Who is that?" I asked.
"It's
my father," said my classmate. "I hate him."
Amazingly I had already come to that conclusion. AND I now found
out what it meant to paint what was inside.
1:00
p.m. Time for my color theory
class. I opened my painting box and pulled out all my friends...cadmium
red... pthalocyanine green...yellow bronze...aquamarine blue...burnt
umber.
My instructor passed by. "I am depressed," I said. I
explained about the bags of blood, Christ pierced with nails,
the dismembered doll. It was all so...so...brown....and black.
He smiled, "Don't listen to them he said." Would a surgeon
operate without studying medicine? Why should an artist have to
paint without a knowledge of color?"
For the next 3 hours I painted a rainbow of colors. I was happy.
I smiled...I laughed...I joked with my friends as we all learned
about color. As the lights were turned off and the slide show
begin my instructor talked about Van Gogh....Derain....Matisse....Monet....
Renoir....Gauguin and
all their use of color. I was in good company.
7:30 p.m. A
woman asked a question in art history, "Why did Monet's paintings
sell better than other artists." "Perhaps," said
my professor, "because they were colorful paintings, paintings
that people could live with in their homes. Some paintings you
might like but they would not be something you would want to hang
on your walls."
I thought of the bags of blood. I thought of my nice white walls.
My art history professor was right.
I dropped oil painting and found that color theory was the best
class I have ever taken.
Can you tell the difference between "warm white" and
"cool white"? "White is white!" you say. Not
so sayeth the student of color. Not so at all. Does it really
matter? YEP!
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